Verge was derived from manipulated film footage. The two panels form a diptych that changes very subtly as the viewer moves before the piece.

Underlying this piece, as in all my work, is my interest in the following: The containment of time in a pane of glass. The reversal of the process of photography. The relationship between loss and recovery, and the benevolence of memory.

Dean Randazzo spoke in Time Versus Space, Holographic Kinetics