Verge was derived from manipulated
film footage. The two panels form a diptych that changes very
subtly as the viewer moves before the piece.
Underlying this piece, as in all my
work, is my interest in the following: The containment of time
in a pane of glass. The reversal of the process of photography.
The relationship between loss and recovery, and the benevolence
Dean Randazzo spoke in Time
Versus Space, Holographic Kinetics