Verge was derived from manipulated film footage. The two panels form a diptych that changes very subtly as the viewer moves before the piece.

Underlying this piece, as in all my work, is my interest in the following: The containment of time in a pane of glass. The reversal of the process of photography. The relationship between loss and recovery, and the benevolence of memory.

Dean Randazzo spoke in Time Versus Space, Holographic Kinetics

Verge, 1993
White light transmission hologram
Photo © Dean Randazzo
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